Les lettres de ma mère is filmmaker Serge Giguère’s poignant documentary tribute to his mother, a charismatic and powerful pillar of a working-class Québec family of 16 children. I had the pleasure of collaborating with Serge to bring some of his wonderful family photos to life onscreen.
Years in the making, the exhibition Leonard Cohen: Une brèche en toute chose / A Crack in Everything opens this week at the Musée d’art contemporain de Montréal. I’m honoured to be amongst an incredible lineup of artists and musicians contributing works inspired by and in celebration of the inimitable Leonard Cohen. Great overview of the show here in The Guardian.
Just how important have the sounds of the past 140 years been to our lives? The British Library takes on this question with a new multi-media exhibit which sets to tell a story of sound recording and explore the importance of sound in capturing history. The Delian Mode makes an appearance!
On until May 13, 2018 at the British Library in London.
Totally thrilled to be part of the Musée d’art contemporain de Montréal’s upcoming exhibition devoted to the cultural icon Leonard Cohen. The Offerings, is a room-sized installation where Cohen fans new and old can immerse themselves in the words, ideas and golden voice of our much loved Leonard.
On the day of Donald Trump’s inauguration it can’t hurt to send a little positive energy into the world and remind ourselves of some shared human values. I was happy to contribute to this song of solidarity by friends at Erased Tapes. Love will always trump hate.
I’ve always considered Canada a pretty great place to live but I really found myself falling prey to “seizures of nationalism” (to quote Leonard Cohen) while editing this piece. Beautifully dreamt up and directed by Nathan O’Brien. Happy Birthday Canada.
In recent news: Silent Film Legend F.W. Murnau’s head has been stolen. Not cool, satanists. I have a soft spot for Murnau. Nosferatu provided the horrific backdrop to a particularly debaucherous evening of my adolescence filled with existential questioning and, on a lighter note, Sunrise is one of my favourite films of all times.
In 2011, I had the unique opportunity of spending 3 months in Kassel, Germany as part of an artist’s residency. The idea behind the residency was to produce a work that was somehow about the city. In researching Kassel, I was excited to learn that one of its most famous inhabitants was Murnau who spent some formative years in the city between 1892 and 1907. Known as a daydreamer, a young F.W. apparently passed much of his time exploring his surroundings on foot. I decided to do the same, wandering around Kassel absorbing the sights and sounds that might have inspired a budding filmmaker with big dreams and big nightmares. The resulting piece was Traum_a.
With Murnau on my mind this week, I decided to revisit some of the footage I shot while in Kassel and create the first in a series of audiovisual city postcards. These short pieces will follow a haiku format comprised of 3 phrases (5 syllables, 7 syllables, 5 syllables), but, self-imposed formal restrictions aside, are just an audiovisual snapshot of a place I’ve had the pleasure of exploring with eyes and ears.